Exhibition and FAM Curator Lauren Szumita, notes: “I am so pleased to have the opportunity to feature Abelardo Morell’s stunning photographs at FAM and in the upcoming show at MAM. His work with the camera obscura is surprisingly revolutionary for all its simplicity and his engagement with the photographic past modernizes the story of the camera obscura. Morell’s work reminds us to take in the magnificence of the mundane, and to notice the often-overlooked details of our world.”
Abelardo Morell was born in Havana, Cuba in 1948. He immigrated to the United States with his parents in 1962. Morell received his undergraduate degree from Bowdoin College and his MFA from The Yale University School of Art. He was Professor of Photography at the Massachusetts College of Art and Design in Boston from 1983 to 2010.
He has received several awards and grants, including a Guggenheim fellowship in 1994 and an Infinity Award in Art from ICP in 2011. In November 2017, he received a Lucie Award for achievement in fine art. Most recently, his work was included in the exhibition Ansel Adams in Our Time, at the Museum of Fine Arts, Boston.
Morell’s exhibition inaugurates a series of shows at MAM that will focus on the creative contributions of contemporary American and Native American photographers.
Camera Obscura: View of the Florence Duomo in Tuscany President’s Office in Palazzo Strozzi, Sacrati, Italy. 2017, archival pigment print, ed. 1/10. 30” x 40” (framed: 39 ¼” x 48 ¾”). Clementi Family Collection Fund, 2019.150
Camera Obscura: Santa Maria della Salute in Palazzo Living Room, Venice, Italy. 2007. archival pigment print. 45” x 60”
Camera Obscura: View of Florence from Hotel Exelsior, Italy. 2017. Archival pigment print. 30” x 40”