Transformed: Objects Reimagined by American Artists

September 12, 2021–December 3, 2023

Take an object
Do something to it
Do something else to it

"           "              "      "  "

Jasper Johns, 1964  

Inspired by the note Jasper Johns wrote to himself in his sketchbook in 1964, this exhibition features more than 60 artworks from 1829 to the present in which artists take objects as their points of departure, transforming them to reflect their varied cultural backgrounds and viewpoints. This exhibition is organized thematically—as indicated on each object label—to represent these diverse perspectives. 

Over time, this exhibition will itself transform with rotations of works that expand further upon various themes, including still lifes, alphabet letters as objects, urban and industrial motifs, found objects, collages, and constructions, as well as dolls and mannequins.

Still lifes can reveal distinct moments in history through realist approaches to objects. Artists’ transformations of objects into abstracted forms can be seen in modern still life paintings, as well as in depictions of urban and industrial motifs from the early twentieth century onwards. 

Many artists employ everyday, mass-produced objects, as well as unique items they find, to create assemblages, constructions, and collages. These transformations can open dialogues about aesthetic, conceptual, handmade, and machine-produced aspects of contemporary art and life.  

This exhibition also addresses transformations of natural and synthetic materials into dolls and mannequins as explorations of personhood and representations of identity. Furthermore, it explores objects that are reimagined and invested by artists with personally defined metaphorical powers. Somewhat like a talisman, these works can reference the symbolic capacity of objects to inspire, protect, or heal.  

Indeed, all objects and things can be transformed by artists with multiple and symbolic meanings beyond their appearances, just as engaging with art can transform the experience of the viewer.

Transformed: Objects Reimagined by American Artists is curated by Gail Stavitsky, Chief Curator. Editorial assistance and the writing of some label copy was provided by Laura Allen, Curator of Native American Art and Molly Ono, Curatorial Assistant. 


Andy Warhol (1928-1987). Twelve Cadillacs, 1962. Silkscreen on canvas.
46 1⁄4 x 42 3/8 in. Museum purchase; prior bequest of James Turner and Acquisition Fund 1998.9

Sarah Miriam Peale (1880-1885). Peaches and Grapes in a Porcelain Bowl, 1829. Oil on wood. 11 3⁄4 x 15 in. Museum purchase; prior bequest of James A. Aborn and prior gifts of Mr. and Mrs. George C. Dinsmore, Mrs. Maurice Emataz and Mrs. William H. C. Higgins. 1992.18

Claude Raguet Hirst (1855-1942). Ode to Superstition, ca. 1923. Watercolor and graphite on board. 8 x 10 in. Gift of Elsbeth B. Dusenbery and Adrian A. Shelby. 1998.14

Melvin Edwards (b. 1937). Mamelodi (from the Lynch Fragments Series), 1986. Steel. 15 3⁄4 x 7 7/8 x 8 in. Museum purchase; funds provided by the Metropolitan Life Foundation and the Acquisition Fund. 1987.7

All MAM programs are made possible in part by funds from the New Jersey State Council on the Arts, a Partner Agency of the National Endowment for the Arts, The Vance Wall Foundation, Partners for Health Foundation, the Geraldine R. Dodge Foundation, and Museum members.